Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 31 | Salome mit dem Haupt Johannes des Taufers | Classical hunting fox, Equestrian and Beautiful Horses, 104. | Arab or Arabic people and life. Orientalism oil paintings 476 | Behind krigsutbrottet 1792 need France 450000 soldier |
Related Artists:
Giovanni Fattori
Italian Realist Painter , 1825-1908 was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.
Alhed Larsen
Alhed Maria Larsen nee Warberg (7 April 1872, Heden near Faaborg - 31 August 1927, Odense), the wife of Johannes Larsen, was one of the Fynboerne or "Funen Artists" who lived and worked on the Danish island of Funen. Alhed Larsen was the daughter of Albrecht Christoffer Warberg, who managed the Erikshåb estate in the south of Funen. The estate became an early meeting place for the artists who later became known as the Fynboerne. As early as 1885, Larsen began to have painting lessons with Fritz Syberg and she became a friend of Johannes Larsen, whom she married in 1898, and of Peter Hansen. Anna Syberg, Hansen's sister, Marie Schou and Christine Swane, Johannes Larsen's sister, became lifelong companions. Ahled Larsen appears to have been a central figure for the Funen Painters, frequently acting as hostess. Alhed Larsen had also had drawing lessons from her uncle Ludvig Brandstrup with whom she stayed in Copenhagen where she worked as a porcelain decorator at the Royal Copenhagen factory from 1890 to 1893. When she finally married Johannes Larsen in 1898, the couple moved to Kerteminde in north-east Funen where they soon built their new home, Mollebakken, on the outskirts of the town. The house was extended on several occasions, becoming one of the most beautiful artists' homes in the country. With its 16 bedrooms, it served as a central meeting place for the Funen Painters and their friends, in the caring hands of Alhed Larsen.
Philippe Rousseau
Paris 1816 - Acquigny 1887. French Painter. French Painter. French painter. He may have received his artistic training in the studios of Gros and Jean-Victor Bertin, since he credited them as his masters when he exhibited at the Salon. He began exhibiting in 1834 with a View of Normandy (untraced) and for the next six Salons he exhibited landscapes. In 1844 he began to show still-lifes. In 1845 he was awarded a third-class medal, and in 1847 his still-lifes were admired by Th?ophile Thor?, who was one of the earliest critics to recognize Rousseau's debt to Chardin. This influence became the subject for his 1867 Salon entry, Chardin and his Models (untraced, see McCoubrey, no. 15). The work is far grander and more cluttered in its conception than most still-lifes by Chardin and alludes to the master by faithfully reproducing some of his favourite objects within a traditional table-top format rather than by an analysis of his compositional devices.